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As the oft quoted Bible verse goes,there nothing new under the sun and it unreasonable to expect that everything on the site will appear here and only here. Linking to the domain the content appears on indicates an attribution. The benefit here is two fold: You stay totally within our content policies and get a potential click out (a small but positive factor when calculating lens rank). Perhaps you make a lens curating the best freely licensed chocolate cake recipes from around the web. Next to each recipe, you need to provide alink to the site you found each recipe on. It not enough to simply tell me in the text what cookbook it appears in. If you find a site that text appears on,link to it in the module so we know where to find the content in it native context. We don expect you to always have a link for this type of content. If you run into problems publishing, we be happy to help out. So, as you can see, it quite simple to be both a curator and a creator on Squidoo. Focus on originality, to you content and be clear and transparent about your sources and you be well on your way to Squid stardom!UPDATE: Based on the comments it would appear that this post has led some users to take it to mean that they can only use something if they can find a place it appears online to link to. That not what we saying. The policy is this: If you want to excerpt something that appears on another site already, to properly attribute the source, place a link to where the content appears elsewhere. If something isn on another website, a simple text credit will suffice. I am redoing every single thing I created. With tons of clip art from the local BestBuy I purchased years ago, free images that I did not name or save the link or source before I started Squidoo,has me so worried. I will not make another lens until I properly credit everything. I am searching for replacementpictures so I can properly credit them when it really not necessary since they are mine, I never downloaded anything but free content, so this task is very frustrating. I do appreciate the importance of proper credit however, I would appreciate a page dedicated to I have bookmarked several pages that do help with them and spoken with people who have the way but how do I know who is right? I am not a plagerist, just trying to do what Squidoo asks,,, like Pictures is on every module almost help us I do not have time to go to the forums since I have ajob that prohibits me from computer use or Squidooing 24/7, even though I would prefer to spend much more time here, I just can Great points . . I just learning HTML and my eyesight is not the best so I copy and paste the link for my intro photo (since there is no entry box to provide the link). Will there ever be an entry box to link our intro photos / images? I credit the photo (or image) source which is always licensed under Creative Commons. Lately, I been reminding readers in my intro that photo attributions (except for intro) are linked to the original source. Yes, I am aware of that and have noted with permission or granted from so and so on many of my lenses. If you wish to see a template copy of what I write, I be happy to submit it on your Bio page. If Squidoo requires copies of my emails and responses from those who granted me permission, I will gladly submit them. On flickr for example, I look for Creative Commons licensed images and photos. In the right sidebar next to the image, it states: This photo belongs to . . further down it has an emblem with rights reserved written beside it and a green box with photo is visible to everyone. provide a link directly to the page where I found the image or photo source, since it will then prove (to the best of my knowledge) that I am allowed to use in on my lens. I have never made modifications (since I am not all that computer savvy). I think I have an answer to something I was writing about on the forum. I have the text a somewhat rare Henry David Thoreau poem that also appears on Wikipedia. My source was not Wikipedia, but rather a scanned copy of a very old book (something that is almost surely not indexable by Google). But to be safe, I linked to something on Wikipedia their alphabetized list of Thoreau poems. That the thing to do? None of my poetry lenses have run into any problems I try to keep the amount of reproduced text low compared to the amount of interp and other material but it makes me a bit nervous. Oh but I didn link in the same module. I used a link list module. Is that a problem? It seems clear that there are those who can tell the difference. Manufacturer Specs are PROMOTIONAL MATERIAL and meant to be used, CREATED to be used, and if you are linking to the product that shows it, then the link is already provided. This has gone beyond the level of sane use and I really do not believe that either Megan or Seth are so incompetent. Associated Press lost their battle over it, and that was with big money at stake. This entire witch hunt is a very very bad direction for Squidoo to take. It will suffer for it and it should if it continues. I do agree with your point about quotes however, if from the bible then book verse, etc should be more than sufficient. Trying to find such a source would be next to impossible. I think the lack of crediting of images is far more of a problem than public domain quotes or the Bible and using images from sites that clearly prohibit doing so in their tos. I have reported many of these and nothing happens to the lenses or the lensmasters in many cases so I have quit reporting. JMHO and I do realize that attribution in general is a huge can of worms and better practices would be wise. Heather, the cases I referencing with things like famous quotes or Bible verses would be if you had made an entire lens out of that type of content, does that make more sense? For a further example, check out my biography lens. I have a quote from Lao Tzu and I written his name after the quote itself. Since it just one piece of the lens and that not what the lens is about, it not necessary for me to link to a site that quote appears on. The name itself acts as an attribution. Now, if the whole page was Lao Tzu quotes, then I would want to link to an outside site so that I was being totally clear about the content being I don think so Tom. Bible has been public domain for 2,000 years. Mountains of Catholic stuff is public domain and meant to be spread and used. Promotional materials from manufacturers and retailers are created in order to be used in all promotional efforts. The list is endless and without the use clause the internet wouldn even exist. Why do any of those things need to be cited? For that matter, I can take snippets of absolutely everything you have ever written and claim it to be content These solutions you offer are no solution to an internet based on the free exchange of information and the use clause. Men Nike Free Run 3 Tiffany Blue Volt ,Women Nike Free Run 3 Soar Blue Rflct Silver Pro Platinum Volt Men Nike Free Run 2 Purple Gold White Nike Roshe Run Hyp Women Navy Dark Grey Women Nike Free Run 4.0 V2 Dark Grey Cool Grey Volt Quilted Nike Roshe Run Men Royal Volt Nike Roshe Run Women Black Solar Red Women Nike Free Run 3 Total Orange Silver Platinum Volt Nike Free 4.0 Game Royal Blue Electric Green Pure Platinum Wmns Women Nike Free Run 3 Pure Platinum Reflect Silver Volt SOCHI David Wise already knows the question he'll face when he returns home, and he can deliver it in a perfect toddler voice. The freeskier's 2 year old daughter Nayeli will likely ask of his Olympic medal what she did of his most recent X Games gold, "Oooh, Daddy, new necklace. Is that for me?" And even though Wise's gold medal that he won here in his sport's Olympic debut in the halfpipe would likely tip his daughter over, he'd say, yes, of course, it always was for you. "I think that she's gonna be pretty excited and want to wear it all the time," he says as he headed to the medals plaza on Wednesday night to receive it. That the young father puts his focus on family before skiing makes him a unique spokesman for his sport. It was his daughter half a world away who was in his thoughts throughout the chaotic day. Wise allowed USA TODAY Sports to accompany him in the immediate aftermath of his gold medal win. The latest star of these Games, Wise, 23, went through the wringer that every medalist goes through, and one that is especially demanding for those who win gold. His obligations began immediately after his first run score of 92 led him to victory on a snowy, slushy night at Rosa Khutor Extreme Park. Olympic Committee, no more than 15 minutes to eat a meal and no shortage of repeat questions. During the 50 minute drive, Wise checks his phone to see about 100 text messages. He reflects on a podium shared with Canada's Mike Riddle and France's Kevin Rolland, who took silver and bronze, respectively. If it couldn't be another American on the podium, he's glad it was those two, guys like him who are focused on their skiing and not tied up in the status of being a pro athlete. That has helped him become one of the best halfpipe skiers in the world, with the past three X Games gold medals to his name. By the time he reaches the International Broadcast Center, the realization of all that happened still had not sunk in. He expects that will come when he's interviewed by Bob Costas for a taped piece for the NBC broadcast. In 90 minutes during the pre dawn hours, Wise is interviewed by NBC radio and for the company's website, takes part in a social media session and sits down with Costas. "I nailed that one," he says, on Wednesday morning. With just three hours sleep, the Reno native starts his day with a breakfast put on by his sponsor Visa. Afterward, a surprise proves to be the highlight of the day. In a commercial congratulating Wise, Morgan Freeman narrates the story of Wise's life, something the skier jokes he can check off his bucket list, with pictures from his childhood and video of him skiing with Nayeli. Wise's wife, parents and sister all cry, and the skier's eyes well with tears. He maintains that he can keep his street cred because none fell, but it is clear he is moved. "I don't think it gets any better than that," he says. In the span of 30 minutes, Visa crams in all it can for the gold medalist. With poles way too big to ever ski with, Wise jumps around on the patio for a Vine video. Wise sees a mosaic of a photo of him after his winning run, one created with the avatars of those who had congratulated him. He tapes a thank you video for his fans, and one for a particular fan ?? 86 year old Sally Pepper, who was one of the first to comment on Facebook. As he signs, it's pointed out to him that he should carry a gold Sharpie from now on. Before departing the hotel, Wise swaps his Nike sweatpants for jeans borrowed from his manager. A trek through the International Broadcast Center ?? through which he carries a stuffed garment bag that he had packed poorly ?? ends with him in an NBC green room. The video rebroadcast of his run plays as he has make up applied next door. Wise's packed schedule starts at NBCSN, where a brief interview yields claps and congratulations from the crew. "They're throwing me change ups," he says. A trip to the commissary leaves 15 minutes for lunch that consists of a salad, steamed vegetables and chicken and rice. 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Moment of candor: After a PGA Tour qualifying round Wednesday in Florida, Parnevik who introduced Woods to wife when she was working as Parnevik's nanny said his advice to Woods would be, "Maybe not 'Just do it,' like Nike says. . I would be especially sad about it since I'm kind of I feel really sorry for Elin since me and my wife were at fault for hooking her up with him. We probably thought he was a better guy than he is. I would probably need to apologize to her and hope she uses a driver next time instead of the 3 iron." Why he opened up: Men who wear pink pants and lime green argyle sweaters typically aren't in the habit of shying away from attention. Why he might regret it: Someday, Woods might be holding that driver when standing next to Parnevik on a tee box. And either the Swede or the Nike will feel the brunt of it. Moment of candor: In an interview with published in the magazine's Dec. 7 issue, the forward said, " "I used to drink Hennessy . at halftime. 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Why he opened up: In the NFL, the only thing more important than looking tough is sounding tough. Why he might regret it: He already apologized. But the next time Ward runs a route over the middle, might Roethlisberger still be a little too groggy to make sure he doesn't hang Ward out to dry against an opposing safety? Moment of candor: After being rewarded for his team's 12 0 season with a contract extension through 2016, the TCU football coach said he prefers the to a college football playoff system and said, "Is it easier to win one game for a championship? Or to have to win four?" Why he opened up: He just got paid, and millions of dollars are an even better social lubricant than halftime Hennessy.

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Its flight is powerful and rapid, and is composed of strong flappings, which enable it to rise with ease to the highest branches of the largest forest trees. When it starts from the ground, it generally leaves marks which are made by the first motions of its wings, which are so powerful as raise the withered leaves around it. When the ground is covered with snow, the impressions are so distinctly defined as to imitate the form of the pinions. When it leaves its perch, it flaps its wings only a few times at the outset, and then sails for many hundred yards, balancing itself as it proceeds, with great steadiness, until it reaches the ground. If it has flown from its perch with the view of reaching another, it repeats the flappings at intervals of a hundred yards or so. On coming to the ground, it is obliged to run for a few yards, its great weight rendering this necessary to prevent its body from being injured. The great strength of a full grown Turkey cock renders it no easy matter to hold it when but slightly wounded; and once or twice I have thought myself in jeopardy, when on entering a pen in which six or seven large cocks had imprisoned themselves, their flutterings and struggles rendered it extremely difficult to secure them. The Female Turkey, which is considerably inferior in size to the male, differs further from him in wanting the spurs and pendulous wattles, in having the frontal papilla much smaller, the naked space of the neck less, and the colours much duller, although similar in distribution. The naked parts of the head and neck are more furnished with bristly feathers, and are of a light blue colour, with reddish tints interspersed. The bill, the eyes, and the feet, are of the same colour as in the male, the latter considerably paler. There is a line of short bristly dark coloured feathers down the back of the neck. The general colour of the upper and under parts is greyish brown, with metallic bronzed reflections, each feather terminated by a band of black. On the lower back the brown tints become brighter, and on the rump and upper tail coverts change into bright chestnut, with transverse bands of brown. The ground colour of the tail is pale yellowish brown, transversely barred and mottled as in the male, and with a broad subterminal band of brownish black, beyond which the feathers are mottled, and finally terminated by uniform light brown. The abdominal region is dull brownish grey. The primary quills are greyish white, barred with brownish black; the secondaries brownish grey, similarly barred. The wing coverts are similar to the feathers of the back. Length 3 feet 1 inch, extent of wings 4 feet 6 inches bill 1 inch along the ridge, 1 along the gap; tarsus 6; middle toe 3, hind toe 1, pectoral appendage 4 inches. 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